Podaj swój e-mail, aby otrzymywać najnowsze informacje z naszej strony.

jesteś w dziale: Dźwięk w filmie i multimedia

Producing Great Sound for Film and Video

autor: Jay Rose
ISBN: 978-0-240-80970-0
liczba stron: 464
rok wydania: 2008
wydawca: Focal Press

dostępność: NA ZAMÓWIENIE

CENA: 187.00 PLN

do koszyka

do koszyka

This solutions-style guidebook to creating great sound for film and video is a one-stop resource for students trying to develop a high quality soundtrack for their projects. Amply illustrated and written by a sound-guru, this book demystifies complex topics for students who are not yet audio experts. This book is the industry standard to designing sound for digital projects by offering time-tested and real-world tips, techniques, time-savers, and problem-solving solutions that readers can employ from pre-production through the final mix. A full set of FAQs helps readers to quickly solve audio dilemmas and helps them to develop solid action plans to make great sound.

The audio CD contains demos, diagnostics, tutorial tracks, and other useful tools-all designed on an audio CD for optimal playback.

About the Author
Jay Rose, Jay Rose is a nationally respected sound designer and consultant whose Clio- and Emmy-winning career has included program opens for NBC and sound design for MGM. Rose is a columnist for DV Magazine, and a popular lecturer at MacWorld, DV Expo, and other industry gatherings. His website, dplay.com, averages 9,000 hits each week.

Make your film or video project sound as good as it looks with this complete training course by audio guru Jay Rose. You get hundreds of professional, real-world techniques that you can employ from preproduction through the final mix. This is a solution-oriented guide with FAQs, how-tos, tips, and time savers. You'll get a primer on how sound and digital audio work as well as technical setups, guidelines, and real solutions for: * budgeting, scheduling, and preproduction planning * microphones and room acoustics * recording dialog, voice-overs, ADR, and effects * postproduction hardware * levels and digitizing * working with music and sound effects * producing the final mix New to this edition: * information on the latest cameras and field recorders * choices between single- and double-system, and digital workflows * the differences between traditional video soundtracks and dialog-driven storytelling.

Digital video professionals producing event, corporate, and broadcast pieces; filmmakers

About This Book and Audio Postproduction
How to Create a Great Soundtrack (in a Quarter of a Page)


Chapter 1 How Sound Works
The Life of a Sound
Fast Pressure Changes are Heard as Sounds
Somewhat Slower Pressure Changes are Heard as Envelopes
Slow Changes of Pressure are Loudness
Echoes in small Rooms
Very Slow Changes of Pressure are Weather

Chapter 2 How Digital Audio Works
Why Digital?
Turning Analog to Digital
Audio Data Reduction

Chapter 3 Audio on a Wire
Analog Wiring
Digital Wiring


Chapter 4 Planning for Sound
The Need for Sound
Think about the Overall Track
Elements of the Soundtrack
Spoken Words
Sound Effects
Special Effects and Processing
The Layers of a Track

Chapter 5 Budgeting, Scheduling, and Preproduction
Budgeting for Sound
Allow Time for Sound
Checking Locations


Chapter 6 Microphones and Room Acoustics
About Microphones
Rooms and Recording

Chapter 7 Production Mic Technique
What Kind of Mic to Use?
Using Boom Mics
Using Lavalieres
Controlling Wind Noise
Using Wireless
Room Tone

Chapter 8 Production Recording
Getting Audio into a Recorder
Camera Settings
Double System
Mixers and Preamps
Connecting to the Recorder
Adjusting the Volume

Chapter 9 Recording Voice-Overs, ADR, and Effects
Engineering a Voice Recording
Directing The Voice-over
Recording Sound Effects


Chapter 10 Postproduction Workflow
Linear and Non-linear Editing

Chapter 11 Postproduction Hardware
Computer Input/Output
The Mixer
Moving Signals Around the Editing Suite
Wiring The Postproduction Suite
Mixing -10 Dbv and +4 Dbu Equipment

Chapter 12 Levels and Digitizing
Digital Audio Transfers
Digitizing Analog Signals
Metering and Lineup Tones

Chapter 13 Editing Voices
The Right Tools for Editing Voice
Editing I: Cutting in Silences
Editing II: Sounds with Hard Attacks
Editing III: Hearing Phonemes
Editing IV: Theatrical Film Dialogue
Editing V: The Tricks
Editing VI: Keeping Track of Sync
A Final Exercise

Chapter 14 Working with Music
Deciding What Music You'll Need
Sources of Music
Selecting Music from the Library
Music Editing

Chapter 15 Sound Effects
We Don't Need No Stinkin' Reality
Sources for Sound Effects
Choosing Effects
Placing Sound Effects

Chapter 16 Processing
How Any Effect Can Wreck A Sound
When to Apply Processing
Noise Reduction
Combining Effects
Learning More

Chapter 17 The Mix
Setting Up for the Mix
Preparing for Someone Else to Mix
After the Mix
The Last Thing You Should Do

Chapter 18 „Help! It Doesn't Sound Right!"
Problems with On-Camera Dialogue
Too Many Background Noises
Dialog Problems Introduced by the Recorder
Postproduction Audio Issues
Narration Problems
Computer Doesn't Play Audio Well
Mix Problems
The Mix Proportions Were Right, but It Was Too Soft/Loud/Distorted on the Air
Some Elements Sound Fine in Stereo, but Disapper when the Tape Is Broadcast, Played on VHS, or Seen on the Web
Other Common Questions

CD Contents

Inne produkty z tej samej kategorii

Polska muzyka filmowa 1945-1968

Polska muzyka filmowa 1945-1968


Jest to pierwsza na polskim rynku książka opisująca polską muzykę filmową w okresie, kiedy to w następstwie politycznych zwrotów jednoczesnym przeobrażeniom ulegały i muzyka i kino. Muzyka filmowa rozpatrywana jest zawsze w kontekście dzieła, ...

do koszyka
do koszyka
MULTIMEDIA Podstawy teoretyczne i zastosowania praktyczne

MULTIMEDIA Podstawy teoretyczne i zastosowania praktyczne


Książka zawiera zarówno podstawy wiedzy teoretycznej, jak i praktyczne wiadomości z dziedziny multimediów, z uwzględnieniem zapisu i kompresji informacji multimedialnej, a także zastosowań multimediów. Książka ta uzupełnia lukę ...

do koszyka
do koszyka

Wartość: 0 PLN
Liczba produktów: 0


Liczba produktów: 0






Promocje Nowości Bestseller O firmie Księgarnia Szkolenia Regulamin Twój koszyk Pomoc Kontakt Mapa serwisu
oprogramowanie SOTE
projekt i realizacja STUDIO IMPULS

Reprodukcja w jakiejkolwiek formie na jakimkolwiek nośniku bez pisemnej zgody redakcji audiologos.pl zabroniona.
audiologos.pl © 2007-2012 Wszelkie prawa zastrzeone.
Strona korzysta z plików cookies w celu realizacji usług zgodnie z Polityką Plików cookies.
Możesz określić warunki przechowywania lub dostępu do plików cookies w Twojej przeglądarce.